Class 12 English Short Stories Chapter 11 Atithi/Guest

Test your understanding of the ICSE Class 12 English short story Atithi/Guest with this engaging quiz. The quiz covers the key themes, characters, and events of the story, including the behavior of the protagonist, the significance of hospitality, and the cultural and moral lessons portrayed. It will challenge your comprehension, interpretation, and analytical skills through a variety of questions designed to help you recall important details, understand character motivations, and reflect on the story’s deeper meanings. Perfect for quick revision or self-assessment before exams.

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Category: Hidden Fascination

1. (A) Charushashi's destruction of Tarapada’s flute is purely an act of hatred without any underlying fascination.
(R) Her outward actions are consistent with her inner feelings, as she openly despises Tarapada and shows no hidden admiration.

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Category: Interrupts Ramayana reading to sing panchali

2. (A) Tarapada's panchali performance created a deep emotional impact on the listeners, including Annapurna and Motilal Babu.
(R) The panchali was about Kush and Lav from the Ramayana, which resonated with everyone's familiarity with the epic.

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Category: Detachment and Innocence

3. (A) Tarapada's detachment from his family and home demonstrates his innate wanderlust.
(R) Tarapada left his loving family multiple times because he was drawn to the freedom and allure of the unknown.

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Category: Tarapada slips off and quickly befriends villagers (“Dada, Khura, Didi, Masi”)

4. (A) Tarapada was able to quickly befriend the villagers because he had no normal ties with them.
(R) His lack of conventional relationships allowed him to interact with everyone freely and without prejudice.

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Category: Refuses to praise his singing; complains it disturbs her sleep

5. (A) Charushashi refuses to praise Tarapada’s singing despite his impressive talent.
(R) She is jealous of the attention Tarapada receives from others, particularly her mother.

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Category: No longer laughs so easily at Charu’s mischief; doesn’t beat her

6. (A) Tarapada's restraint from laughing at Charu's mischief or retaliating with beatings indicates his awareness of the brewing marital plans.
(R) Motilal Babu's approval of Tarapada as a potential groom led to Tarapada consciously altering his behavior.

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Category: Cannot memorise; sabotages his study (pouring ink, stealing pen, tearing pages)

7. (A) Charu's destructive behavior towards Tarapada's study materials stems from her deep-seated jealousy and frustration at being unable to match his academic progress.
(R) Charu lacks the emotional maturity to cope with her academic shortcomings, leading her to sabotage Tarapada's efforts as a misguided way to bridge the gap between their learning abilities.

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Category: She feels frustrated yet more affectionate

8. (A) Charu's frustration towards Tarapada stems from her inability to express her affection for him directly.
(R) Charu's actions, such as secretly writing an apology note, indicate her underlying affection for Tarapada despite her outward hostility.

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Category: Fourth son, father dead, many siblings; darling of mother, brothers, sisters, neighbours

9. (A) Tarapada left his village despite being loved by everyone because he had an innate desire to wander.
(R) His ability to effortlessly adapt to new environments and learn various skills made it easier for him to leave his home.

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Category: First Impressions and Meal

10. (A) Motilal Babu and his wife Annapurna were immediately drawn to Tarapada due to his appearance and demeanor.
(R) Tarapada's fair skin, youthful grace, and self-assured yet non-assertive behavior made him stand out.

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Category: Festival Call and Final Departure

11. (A) Tarapada's lack of emotional attachment to Kathaliya village signifies his innate freedom and detachment from worldly bonds.
(R) Despite engaging with various groups like the gymnastic troupe and jatra-group, Tarapada remained uncorrupted and unbound by habits or customs.

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Category: Moves through rough company yet remains pure, uncorrupted

12. (A) Tarapada remained pure and uncorrupted despite associating with rough and immoral company throughout his wanderings.
(R) His innate detachment and natural innocence acted as a shield against the impurities of the world.

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Category: Marriage Arrangements

13. (A) Motilal Babu ultimately agreed to Tarapada as a groom for Charu because he recognized his adaptable and amiable nature.
(R) Tarapada’s inner turmoil and restless spirit reflected in his disappearance on the wedding eve, highlighting his inability to conform to societal expectations.

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Category: Discovers Tarapada is close to widowed friend Sonamani (calls her Didi)

14. (A) Charu smashed Sonamani's bamboo flute because she wanted to assert her exclusive claim over Tarapada.
(R) Charu believed that Tarapada's attention and talents should be reserved for her alone, and seeing him close to Sonamani provoked intense jealousy.

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Category: Kurulkata Chariot Festival Temptation

15. (A) Tarapada joined the gymnastics troupe because he was drawn to their skills.
(R) Tarapada had taught himself to play the flute very well.

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Category: Avoids ties “like a young fawn”; loves music “like a deer”

16. (A) Tarapada was drawn to music and joined a group of panchali-singers because melodies sent a trembling through his veins.
(R) Tarapada's love for music is compared to that of a deer.

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Category: After he silently ignores her, she writes, “I will never pour ink…”

17. (A) Tarapada ignores Charu after she ruins his book because he is genuinely annoyed.
(R) Charu writes, "I will never pour ink on your exercise-book again" because she cannot bear Tarapada's indifference.

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Category: Maternal Love and Possessiveness

18. (A) Annapurna's maternal instincts make her attempt to keep Tarapada close, even at the risk of upsetting Charu.
(R) Annapurna deeply longs for a son, which drives her nurturing behavior towards Tarapada.

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Category: Marriage Arrangements

19. (A) Motilal Babu initially rejected the idea of marrying Charu to Tarapada because he didn't know anything about his family.
(R) Motilal Babu wanted to marry his only daughter into a well-known and respectable family.

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Category: Zamindar Motilal Babu returning to Kathaliya with wife Annapurna and daughter Charushashi

20. (A) Tarapada's initial detachment and subsequent emotional stirrings indicate a conflict between his wandering nature and the familial bonds that Motilal Babu's household offers.
(R) Tarapada’s attraction to Charu disrupts his earlier serenity because it introduces desires that anchor him to a fixed place and role, contrary to his previous free-spirited life.

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Category: Description: fair, beautiful, sacred thread, stained dhoti, graceful and self-possessed

21. (A) Tarapada quickly established friendly relations with everyone in the village because he had no normal ties.
(R) His ability to adapt effortlessly and mix with people on equal terms made it easy for him to win hearts.

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Category: Joins and repeatedly leaves:

22. (A) Tarapada repeatedly left groups that grew attached to him because he feared emotional bonds would restrict his freedom.
(R) Tarapada's innate restlessness and aversion to attachment made him abandon any group that treated him as family.

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Category: Motilal’s Family and First Meeting with Tarapada

23. (A) Tarapada left his home because he was neglected by his family.
(R) Tarapada was the darling of everyone in his family and village.

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Category: Panchali of Kush and Lav

24. (A) Charushashi's jealousy towards Tarapada stems from her fear of losing parental affection to him.
(R) Charu's mother stops showing affection for Tarapada in front of her to mitigate this jealousy.

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Category: Resents parents’ admiration for Tarapada’s talent

25. (A) Charushashi's outward hostility towards Tarapada intensifies as his accomplishments impress others.
(R) Her silent defiance when asked about Tarapada’s singing reflects her secret fascination with him despite her resentment.

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Category: Only Child’s Temperament

26. (A) Charushashi's jealousy towards Tarapada stems from her inability to accept his talents, leading her to disrupt his performances.
(R) Her possessiveness is amplified because she perceives any external admiration for Tarapada as a threat to her own status as the only child.

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Category: Freedom vs Attachment

27. (A) Tarapada's refusal to stay with Motilal's family despite their care symbolizes his rejection of societal attachments.
(R) His repeated escapes highlight his innate desire for unrestrained freedom, making him indifferent to emotional or material bonds.

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Category: Annapurna’s Hospitality

28. (A) Annapurna was deeply concerned about Tarapada's well-being and tried to offer him food and care.
(R) Tarapada showed indifference to Annapurna's hospitality by refusing milk and eating only what he liked.

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Category: Music, fairs, boats symbolise pull of the wider world over home

29. (A) Tarapada’s love for music symbolizes his attraction to the wider world and his inability to settle at home.
(R) The melodies and rhythms of music send a trembling through his veins, making his body swing and luring him away from domestic ties.

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Category: Kurulkata Chariot Festival Temptation

30. (A) Tarapada's involvement with the gymnastics troupe reflects his love for music and aversion to societal ties.
(R) Tarapada played Lucknow thumris on his flute during gymnastic displays, showing his musical inclination while remaining detached from commitments.

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Category: Freedom vs Attachment

31. (A) Tarapada's repeated escapes from various groups highlight his deep desire for freedom.
(R) He remains emotionally detached despite receiving love and care, as stated in the text: "He was, deep down, entirely detached and free."

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Category: Studies intensely; evenings on riverbank reciting lessons

32. (A) Tarapada's intense study of English isolates him from his former world.
(R) He spends evenings on the empty riverside, reciting lessons.

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Category: Studies intensely; evenings on riverbank reciting lessons

33. (A) Tarapada's dedication to learning English creates a stronger bond with his tutor Ramratan Babu but weakens his bond with Charu.
(R) His intense focus on studies leads to neglect of his former companions, including Charu, who feels abandoned.

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Category: Tarapada’s Subtle Transformation

34. (A) No assertion could be generated due to missing syllabus content.
(R) No reason could be generated due to missing syllabus content.

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Category: Kurulkata Chariot Festival Temptation

35. (A) Tarapada's repeated departure from various performing troupes despite their affection reflects his inherent detachment from emotional bonds.
(R) Tarapada's love for freedom and exploration is so profound that he rejects even affectionate ties to maintain his wandering lifestyle.

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Category: Tarapada slips off and quickly befriends villagers (“Dada, Khura, Didi, Masi”)

36. (A) Tarapada quickly befriended the villagers because he had no normal ties and could easily adapt to any situation.
(R) His ability to blend in with people of all ages and backgrounds made him universally liked.

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Category: Linked intimately to sky, fields, villages, boats

37. (A) Tarapada was able to establish friendly relations with villagers quickly due to his lack of normal ties.
(R) His unconventional nature allowed him to adapt to any situation or work.

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Category: Tarapada’s Past and Wanderer Nature

38. (A) Tarapada left his village to join a touring jatra-troupe because he was unhappy with his family.
(R) Tarapada had a deep passion for music, which lured him away from home.

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Category: Family at Tarapada’s village pleased; date fixed for Sravan

39. (A) Tarapada's family was pleased with the marriage proposal because it was from a high-caste family.
(R) The boy's mother agreed to the marriage proposal immediately upon receiving it.

40 / 297

Category: Hidden Fascination

40. (A) Charushashi’s intense hatred for Tarapada masked her hidden fascination with him.
(R) Despite her hostile actions, Charu stayed longer because she was intrigued by Tarapada’s charm and talents.

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Category: Drawn away by jatra songs, sannyasis, gypsies, boats

41. (A) Tarapada was unable to stay with the jatra-troupe despite their affection because his innate restlessness overpowered his desire for human connections.
(R) His profound connection to nature and the elements made human ties feel restrictive, reinforcing his need for freedom.

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Category: Next morning: Tarapada’s mother and brothers reach Kathaliya

42. (A) Tarapada was not found in his room the morning after his mother and brothers arrived at Kathaliya.
(R) Tarapada had returned to the unconstraining, unemotional arms of his mother Earth.

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Category: After he silently ignores her, she writes, “I will never pour ink…”

43. (A) Charu's jealousy towards Tarapada is solely due to his academic superiority.
(R) Charu feels inferior because she cannot keep up with Tarapada's progress in English lessons, leading her to disrupt his studies.

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Category: Helps sweet-maker, weaver, potter; sits at shop, keeps flies off sweets

44. (A) Tarapada's ability to help the sweet-maker, weaver, and potter showcases his adaptability.
(R) His natural curiosity and charm allowed him to blend into various village roles effortlessly.

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Category: In the stormy monsoon night, he returns to “unconstraining, unemotional” Mother Earth’s arms

45. (A) Tarapada’s departure in the stormy monsoon night symbolizes his return to Mother Earth’s indifferent embrace.
(R) The village of Kathaliya remained asleep and unresponsive during the storm, reflecting nature’s indifference to human emotions.

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Category: In a rage, Charu stamps and breaks Tarapada’s beloved flute

46. (A) Charu's act of breaking Tarapada’s flute reflects her inability to cope with shared affection and her need for dominance in their relationship.
(R) The broken flute symbolizes the destruction of innocence and highlights Charu’s emotional instability.

47 / 297

Category: After he silently ignores her, she writes, “I will never pour ink…”

47. (A) Charu writes "I will never pour ink on your exercise-book again" because she expects to be punished by Tarapada.
(R) Tarapada's laughter after reading Charu's note indicates he forgives her mischievous acts.

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Category: Tarapada’s Subtle Transformation

48. (A) Tarapada undergoes a subtle inner change due to societal pressures.
(R) His marriage plan forces him to confront his personal desires versus familial expectations.

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Category: On Deck and River Scenes

49. (A) Tarapada felt a deep connection with nature during the boat journey.
(R) He spent most of his time observing the changing scenery from the roof of the boat.

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Category: Tarapada Boards the Boat

50. (A) Tarapada was able to establish friendly relations with everyone in the village quickly because he had no normal ties.
(R) His lack of conventional attachments allowed him to adapt effortlessly to any social situation without being bound by habits or customs.

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Category: Wedding Preparations Arrive

51. (A) Tarapada's emotional detachment from Charu's behavior indicates his resistance to romantic feelings.
(R) His earlier indifference towards Charu's actions was replaced by an attraction that distracted him from his studies.

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Category: Linked intimately to sky, fields, villages, boats

52. (A) Tarapada was able to establish friendly relations with the villagers quickly because he lacked conventional family ties.
(R) The absence of normal ties allowed him to adapt and connect with people on equal terms without any preconceived social barriers.

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Category: Three large boats from Calcutta arrive with wedding goods

53. (A) Three large boats from Calcutta arrived at the zamindar’s ghat laden with wedding goods.
(R) Tarapada’s mother and brothers arrived at Kathaliya on the same morning.

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Category: Detachment and Innocence

54. (A) Tarapada left his home despite being loved by his family.
(R) He had a natural inclination towards freedom and disliked emotional attachments.

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Category: Village Arrival and Welcome

55. (A) Tarapada’s effortless integration into the village life was solely due to the villagers' warm welcome.

(R) Tarapada had an unconventional yet charming demeanor that allowed him to quickly establish friendly relations with everyone in the village.

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Category: Only Child’s Temperament

56. (A) Charushashi locks Tarapada in his room to prevent him from visiting others.
(R) Charu exhibits desperate need for control due to her jealousy towards Tarapada.

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Category: Wanderlust and Identity

57. (A) Tarapada refuses to drink milk despite Annapurna's insistence because of his inherent independence.
(R) Tarapada's wanderlust makes him resistant to accepting care or forming emotional bonds, as seen in his repeated departures from groups and homes.

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Category: Charu vs Sonamani and the Broken Flute

58. (A) Charu destroyed Tarapada's flute to express her jealousy towards Sonamani.
(R) The broken flute symbolizes Charu’s unresolved feelings of possessiveness and longing for Tarapada’s exclusive attention.

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Category: Panchali of Kush and Lav

59. (A) Charushashi's jealousy towards Tarapada stems from her fear of losing her parents' exclusive affection.
(R) Charushashi is depicted as a wilful and obstinate child who cannot tolerate others receiving attention from her parents.

60 / 297

Category: Wins all hearts except Charu, whose hatred he cannot conquer

60. (A) Charu's hatred towards Tarapada stems from her inability to accept his growing closeness with others in the village.

(R) Charu is jealous because Tarapada receives attention and affection from her parents and friends, which she believes should be reserved for her.

61 / 297

Category: Destroying the Flute

61. (A) Charu destroyed Tarapada's flute to assert her possessiveness over him.
(R) The broken flute symbolized the futility of trying to bind Tarapada, who remained free-spirited despite emotional conflicts.

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Category: Next morning: Tarapada’s mother and brothers reach Kathaliya

62. (A) Tarapada's repeated escapes from emotional bonds stem from his inherent desire for unconstrained freedom.
(R) Tarapada's heart stirred with longing whenever he saw elements symbolizing freedom, such as strange boats or sannyasis.

63 / 297

Category: Annapurna suggests Tarapada as groom; Charu likes him

63. (A) Charu's behavior changes after Annapurna suggests Tarapada as her groom, showing possessiveness and jealousy towards him.
(R) Tarapada undergoes an inner change, developing unfamiliar emotions and attraction towards Charu.

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Category: Wanderlust and Identity

64. (A) Tarapada's final disappearance symbolizes his complete rejection of all societal and emotional ties, reinforcing his identity as a perpetual wanderer.
(R) Throughout the text, Tarapada consistently avoids forming attachments, whether familial or social, and his ultimate return to "the unconstraining, unemotional arms of his mother Earth" signifies his lifelong pursuit of absolute freedom.

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Category: Annapurna’s Hospitality

65. (A) Annapurna's persistent attempts to nurture Tarapada highlight her deep maternal instincts and desire to care for him as a surrogate son.
(R) Tarapada's refusal of Annapurna's hospitality stems from his self-sufficient nature and detachment from worldly attachments.

66 / 297

Category: Locking Him In

66. (A) Charu locked Tarapada in his room to disrupt his studies.
(R) Charu was jealous of Tarapada's progress in English and wanted to hinder his learning.

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Category: Rivalry with Sonamani

67. (A) Charu smashes Tarapada's flute because she is angry at Sonamani for disturbing his studies.
(R) Charu intercepts Sonamani when she visits Tarapada and accuses her of disturbing his studies.

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Category: Tries to feed and mother him (milk, sweets); he eats simply and by choice

68. (A) Annapurna tried to feed and mother Tarapada because she felt tenderly attracted to him and disturbed by his indifference.
(R) Tarapada's simple eating habits and serene self-sufficiency made him indifferent to Annapurna's hospitality.

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Category: Rivalry with Sonamani

69. (A) Charu's destruction of Tarapada's flute was an attempt to assert dominance over him and sever his bond with Sonamani.
(R) The flute symbolized Tarapada's affection for Sonamani, and destroying it was Charu's way of eliminating this emotional connection.

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Category: Demands to study alongside him; parents give in

70. (A) Charu insists on learning English alongside Tarapada because she is fascinated by the new language and wants to access the same world it opens for him.
(R) Her parents initially laugh at her request but eventually allow her to study with Tarapada due to her persistence.

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Category: Charu Insists on English Too

71. (A) Charu insisted on learning English because she was genuinely interested in the language.
(R) Charu wanted to compete with Tarapada and could not tolerate his progress.

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Category: Tarapada expertly cuts fish, cooks vegetables

72. (A) Tarapada was skilled in cooking and handling food, as shown by his ability to expertly cut fish and cook vegetables.
(R) Tarapada had a previous life as a young sage whose devotion had honed his skills.

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Category: Annapurna suggests Tarapada as groom; Charu likes him

73. (A) Annapurna suggested Tarapada as a groom for Charu because Charu liked him.
(R) Charu refused to meet the delegation from Raydanga, leading to a failed marriage proposal.

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Category: No beatings from tutor; everyone indulges him

74. (A) Tarapada left his home at a young age despite being loved by everyone in his family and never being beaten by his tutor.
(R) Tarapada had an inherent wanderlust that made him indifferent to the affection and comfort of his home.

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Category: Thunder, wind, dark clouds; feels world as one giant festival

75. (A) The world seemed like a giant festival to Tarapada because of the thunder, wind, and dark clouds.
(R) Tarapada was deeply affected by natural phenomena and felt a sense of freedom and excitement in such environments.

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Category: Freedom vs Attachment

76. (A) Tarapada's symbolic representation as a swan with pure white wings swimming in murky waters illustrates his ability to remain uncorrupted by societal attachments.

(R) The swan metaphor highlights Tarapada's natural innocence and curiosity, which prevent him from being bound by customs or emotional ties.

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Category: Panchali singers

77. (A) Tarapada left the group of panchali-singers because he felt trapped and desired freedom.
(R) Tarapada was a wanderer by nature and could not stay tied to any place or person for long.

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Category: Next morning: Tarapada’s mother and brothers reach Kathaliya

78. (A) Tarapada repeatedly escapes from his family and the village because he is wary of emotional attachments and longs for freedom.
(R) Tarapada is drawn to music and adventure, which compels him to leave whenever he feels confined or emotionally bound.

79 / 297

Category: Motilal feted with guard of honour; band and guns

79. (A) Tarapada quickly adapted to the village life and formed bonds with villagers because of his unconventional nature and lack of normal ties.
(R) His ability to sing songs from Calcutta and tell Puranic stories made him particularly endearing to the women in the village.

80 / 297

Category: Tarapada expertly cuts fish, cooks vegetables

80. (A) Tarapada's expertise in cutting fish and cooking vegetables indicates his prior experience with household chores.
(R) Tarapada was raised in a Brahmin family where culinary skills were traditionally taught to young boys.

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Category: Versatile Participation

81. (A) Tarapada quickly established friendly relations with everyone in the village by calling them familiar names like Dada and Didi.
(R) Tarapada had no normal ties, which allowed him to get to know people with amazing ease and speed.

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Category: Everyone enchanted; bank and passing boats listen

82. (A) Tarapada's ability to enchant people stems from his innate innocence and musical talent.
(R) The bond of love fails to restrain Tarapada because he sees life as the sum of freedom, music, and wanderlust, as given by $\text{Life} = \text{Freedom} + \text{Music} + \text{Wanderlust}$.

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Category: Wanderlust and Identity

83. (A) Tarapada's repeated escapes from groups that grow fond of him highlight his resistance to emotional bonds.
(R) His wanderlust stems from a deep-seated fear of attachment, which he associates with losing his freedom.

84 / 297

Category: Sees boats with merry-go-rounds, jatra, orchestra, drums, songs

84. (A) Tarapada joined the gymnastics troupe because he was fascinated by their skills and his flute-playing ability made him valuable to the troupe.
(R) During the gymnastic display, Tarapada's only task was to play Lucknow thumris on the flute at top speed.

85 / 297

Category: Motilal’s Family and First Meeting with Tarapada

85. (A) Tarapada left his home despite being loved by everyone because he was inherently restless and sought adventure.
(R) Tarapada's decision to leave home was influenced by his tutor’s strictness and frequent beatings.

86 / 297

Category: –16 year old Brahmin boy asks for a lift to Nandigram

86. (A) Tarapada's decision to leave home despite being the beloved of his family reflects his innate sense of independence and wandering spirit.
(R) Tarapada was forced to leave home due to neglect from his mother and siblings.

87 / 297

Category: Destroying the Flute

87. (A) Charu's destruction of the flute was primarily driven by her inability to reconcile her jealousy towards Sonamani's relationship with Tarapada.
(R) The broken flute symbolizes the irrationality of Charu's emotions, as Tarapada found her act absurd and pointless.

88 / 297

Category: Charu locks Tarapada in his room to prevent visits to Sonamani

88. (A) Charu's act of locking Tarapada in his room reflects her possessiveness and fear of losing his attention to Sonamani.
(R) Tarapada's angry silence and refusal to eat until Charu apologizes indicate his disapproval of her controlling behavior and his desire for freedom.

89 / 297

Category: Annapurna’s mothering vs Charu’s jealous love

89. (A) Annapurna's mothering is nurturing and selfless, whereas Charu's love for Amal is possessive and jealous.
(R) Annapurna represents the ideal maternal figure, while Charu symbolizes unrequited love leading to emotional turmoil.

90 / 297

Category: Drawn away by jatra songs, sannyasis, gypsies, boats

90. (A) Tarapada left his home because he was drawn to the rhythmic melodies of jatra songs
(R) His deep passion for music and rhythm made him restless, leading him to explore new experiences.

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Category: He is astonished but laughs at the absurd destruction

91. (A) Tarapada laughed at the destruction of his flute because he found it absurd.
(R) The absurdity of Charu's unnecessary destruction of an innocent object amused him.

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Category: Themes and Exam Focus

92. (A) The theme of social inequality is central to many novels.
(R) Literature often reflects societal structures and challenges.

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Category: Discovers Tarapada is close to widowed friend Sonamani (calls her Didi)

93. (A) Charu's possessiveness over Tarapada stems from her desire to be the sole admirer of his talents and beauty.

(R) Charu locks Tarapada in his room to prevent him from visiting Sonamani because she feels threatened by their close relationship.

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Category: Charushashi’s Jealousy and Attraction

94. (A) Charushashi poured ink on Tarapada's exercise-book out of jealousy.
(R) She wanted to gain Tarapada's attention by irritating him.

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Category: Wins all hearts except Charu, whose hatred he cannot conquer

95. (A) Tarapada's unconventional behavior and adaptability allowed him to win the hearts of everyone in Kathaliya except Charu.
(R) Charu's hatred towards Tarapada stemmed from her jealousy and inability to accept his virtues.

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Category: Jealousy of Attention

96. (A) Charu's destructive actions towards Tarapada stemmed solely from her hatred for him.
(R) Charu secretly admired Tarapada's physical appearance and resented his ability to connect with others, indicating a complex interplay of attraction and jealousy.

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Category: Family at Tarapada’s village pleased; date fixed for Sravan

97. (A) Tarapada's mother agreed to the marriage proposal with Charu because she belonged to a high-caste family.
(R) Motilal Babu kept the wedding plans secret to ensure Tarapada did not change his mind due to his restless nature.

98 / 297

Category: Charushashi’s Jealousy and Attraction

98. (A) Charushashi's destruction of Tarapada's flute signifies her deep-seated attraction towards him.
(R) Her actions stem from a subconscious desire to dominate his attention exclusively, revealing her complex emotional conflict.

99 / 297

Category: Locking Him In

99. (A) Charu locked Tarapada in the room because she wanted to disrupt his studies.
(R) Charu was jealous of Tarapada's progress in English and sought to hinder his learning.

100 / 297

Category: Cannot memorise; sabotages his study (pouring ink, stealing pen, tearing pages)

100. (A) Charu poured ink on Tarapada's exercise-book because she was frustrated with her inability to learn English.
(R) Charu wanted to sabotage Tarapada's studies due to her jealousy and frustration.

101 / 297

Category: Charu locks Tarapada in his room to prevent visits to Sonamani

101. (A) Charu locks Tarapada in his room to prevent him from visiting Sonamani because she is jealous of their bond.
(R) Tarapada refuses to eat when locked up, but eventually relents due to Charu’s tearful begging.

102 / 297

Category: Jatra troupe

102. (A) Tarapada left the jatra-troupe despite being treated like a son by its master.
(R) His restless nature and love for freedom made him unable to stay bound even by affection.

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Category: Avoids ties “like a young fawn”; loves music “like a deer”

103. (A) Tarapada's absence of ties in relationships stems from his deep-rooted detachment, which is unaffected by external influences.
(R) Tarapada remained uncorrupted even after associating with various groups because he was inherently free and detached.

104 / 297

Category: Three large boats from Calcutta arrive with wedding goods

104. (A) The arrival of three large boats from Calcutta with wedding goods signifies the culmination of festivities in Kathaliya village.
(R) Tarapada's departure underlines his rejection of emotional ties and societal expectations, contrasting with the festive atmosphere.

105 / 297

Category: Motilal’s Family and First Meeting with Tarapada

105. (A) Motilal Babu and his wife Annapurna were immediately drawn to Tarapada due to his personality and appearance.
(R) Tarapada was described as a fair-skinned, beautiful boy with youthful grace and exhibited skilled behavior.

106 / 297

Category: Detachment and Innocence

106. (A) Tarapada's repeated escapes from affectionate groups highlight his profound detachment despite being adored by his family.
(R) His innate wanderlust and love for freedom made him indifferent to emotional or material attachments, akin to a young fawn wary of ties.

107 / 297

Category: Tarapada as eternal “atithi” (guest): cannot be owned or tied

107. (A) Tarapada’s nature as an eternal wanderer symbolizes the purity of a soul that cannot be confined by societal or emotional ties.
(R) His repeated escapes from home and performance troupes demonstrate his innate resistance to any form of ownership or attachment.

108 / 297

Category: Annapurna suggests Tarapada as groom; Charu likes him

108. (A) Motilal Babu initially hesitated to consider Tarapada as a groom for Charu due to his unknown family background.
(R) In Bengali society during that period, family lineage and caste status were significant considerations in marriage alliances.

109 / 297

Category: Zamindar Motilal Babu returning to Kathaliya with wife Annapurna and daughter Charushashi

109. (A) Motilal Babu initially hesitated to consider Tarapada as a suitable groom for his daughter Charushashi because he was concerned about Tarapada's unknown family background.
(R) Motilal Babu wanted to marry his only daughter into a well-known and prosperous family to ensure her future security and social standing.

110 / 297

Category: Fourth son, father dead, many siblings; darling of mother, brothers, sisters, neighbours

110. (A) Tarapada left his village despite being the darling of everyone because he was driven by an inherent wanderlust and desire for new experiences.
(R) Tarapada had no normal ties, which allowed him to adapt easily to any situation or work, making it easier for him to leave his village.

111 / 297

Category: Only One Enemy

111. (A) Tarapada could establish friendly relations with everyone in the village within a couple of hours because he had no normal ties to any family or group.
(R) His lack of conventional attachments allowed him to interact freely and adapt quickly without any preconceived notions or biases.

112 / 297

Category: Life on the Boat: Bond with Family

112. (A) Tarapada shows indifference toward material comforts, such as food and clothing, indicating his detachment from worldly possessions.
(R) His detachment stems from his deep connection to the natural world and transient life on the boat, overshadowing any lasting ties to the family.

113 / 297

Category: Boat Journey and Halt at Market

113. (A) Motilal's family halted at the market during their boat journey because they needed supplies.
(R) Markets along river routes were common stopping points for travelers to replenish provisions.

114 / 297

Category: Motilal thinks of adopting him as son; Annapurna deeply moved

114. (A) Annapurna feels a deep emotional connection with Tarapada because she sees him as a lost child who needs care and affection.
(R) Tarapada's independent nature and lack of shyness remind Annapurna of her own son, making her wish to adopt him.

115 / 297

Category: Wedding Preparations Arrive

115. (A) Tarapada's behavior changed due to his attraction towards Charu.
(R) Tarapada stopped laughing at Charu's behavior and began daydreaming.

116 / 297

Category: Sees boats with merry-go-rounds, jatra, orchestra, drums, songs

116. (A) The boats on the river were filled with festive activities like merry-go-rounds, jatra performances, and music.
(R) Tarapada left the zamindar's household because he was drawn to the lively atmosphere of the boats.

117 / 297

Category: Later begs forgiveness, sobbing; he relents and eats

117. (A) Charu locks Tarapada in his room to prevent him from visiting Sonamani because she fears losing his attention.
(R) Charu's actions stem from her deep-seated jealousy and possessiveness over Tarapada.

118 / 297

Category: Bathes, changes into clean garment, combs hair; Annapurna feels maternal attraction

118. (A) Annapurna felt a maternal attraction towards Tarapada when she saw him.
(R) She was deeply moved by his detachment and indifference to material comforts.

119 / 297

Category: Moves through rough company yet remains pure, uncorrupted

119. (A) Tarapada remained pure and uncorrupted despite moving with rough company like jatra-troupes and panchali-singers.
(R) His inherent detachment and love for wandering shielded him from external corruptions.

120 / 297

Category: Everyone enchanted; bank and passing boats listen

120. (A) Tarapada's panchali enchanted everyone on the boat and people on the banks and passing boats.
(R) Tarapada had a natural talent for music and storytelling, which captivated his audience effortlessly.

121 / 297

Category: In a rage, Charu stamps and breaks Tarapada’s beloved flute

121. (A) Charu's violent act of smashing Tarapada's flute was primarily driven by her inability to control her jealousy and possessiveness over Tarapada.
(R) The destruction of the flute symbolizes the clash between innocence (Tarapada) and emotional turbulence (Charu).

122 / 297

Category: Zamindar Motilal Babu returning to Kathaliya with wife Annapurna and daughter Charushashi

122. (A) Tarapada was skilled in cooking and grooming.
(R) He prepared fish and vegetables with practiced skill and took care of his appearance before meeting Motilal Babu's family.

123 / 297

Category: Annapurna’s mothering vs Charu’s jealous love

123. (A) Annapurna's mothering is nurturing and selfless.

(R) Her actions are driven by jealousy towards Charu.

124 / 297

Category: Joins and repeatedly leaves:

124. (A) Tarapada left Motilal’s household despite their kindness because he felt constrained by emotional attachments.
(R) Tarapada was unable to form lasting bonds due to his innate love for freedom and relentless wanderlust.

125 / 297

Category: Watches Tarapada swim like “water-god” while pretending indifference (knitting scarf)

125. (A) Charushashi pretended to knit a scarf to hide her attraction towards Tarapada while watching him swim.
(R) She felt jealous upon discovering that Tarapada had formed close relationships with Sonamani and her mother.

126 / 297

Category: Fierce new hostility towards Tarapada; disrupts meals and behaviour

126. (A) Charushashi's hostility towards Tarapada disrupts household harmony because her jealousy stems from his talents and the attention he receives.
(R) Charushashi refuses to admit Tarapada's virtues, even when presented with undeniable evidence, leading to emotional outbursts and resistance to any praise of him.

127 / 297

Category: His laughter; her shame and fury; shows complex emotional dependence

127. (A) Charushashi's emotional outbursts and possessiveness towards Tarapada show her complex emotional dependence on him.
(R) Her shame and fury after Tarapada laughed at her love note indicate she craves his validation despite her anger.

128 / 297

Category: Charu Insists on English Too

128. (A) Charu insisted on learning English because she was inspired by Tarapada's dedication.
(R) Charu wanted to compete with Tarapada and disliked being outpaced by him in studies.

129 / 297

Category: Studies intensely; evenings on riverbank reciting lessons

129. (A) Tarapada's intense focus on learning English distanced him from his boyish devotees and Charu initially.
(R) He spent his evenings reciting lessons on the riverbank, prioritizing studies over social interactions.

130 / 297

Category: No longer laughs so easily at Charu’s mischief; doesn’t beat her

130. (A) Tarapada stops laughing at Charu’s mischief and refrains from beating her to avoid escalating her emotional turmoil.
(R) Charu's growing jealousy and resistance to marriage make Tarapada cautious in his interactions with her.

131 / 297

Category: Panchali of Kush and Lav

131. (A) Tarapada's panchali about Kush and Lav deeply moved everyone on the boat.
(R) The panchali was a sweet ballad that evoked strong emotions in the listeners.

132 / 297

Category: Music, fairs, boats symbolise pull of the wider world over home

132. (A) Tarapada was drawn away from home primarily because of his love for music.
(R) The melodies and rhythms of jatra performances had a profound impact on Tarapada, compelling him to leave his home.

133 / 297

Category: Jealousy of Attention

133. (A) Charushashi's jealousy towards Tarapada was solely based on hatred without any underlying attraction.
(R) She secretly watched him during his water-sports while pretending indifference, showing her conflicted emotions.

134 / 297

Category: Marriage Plan and Tarapada’s Inner Change

134. (A) Motilal Babu initially rejects the idea of marrying Charu to Tarapada due to concerns about his unknown family background.
(R) Motilal Babu later considers Tarapada as a suitable groom after realizing it would allow Charu to stay at home and avoid potential conflicts with in-laws.

135 / 297

Category: Fierce new hostility towards Tarapada; disrupts meals and behaviour

135. (A) Charushashi disrupts Tarapada's studies by pouring ink on his exercise-book and tearing pages from his book.
(R) Charushashi feels intense jealousy towards Tarapada due to his accomplishments and the admiration he receives from others.

136 / 297

Category: Themes and Exam Focus

136. (A) The Earth revolves around the Sun.
(R) The gravitational force of the Sun keeps the Earth in orbit.

137 / 297

Category: Resents parents’ admiration for Tarapada’s talent

137. (A) Charushashi resented Tarapada because his talents made her feel inferior.
(R) Charu's jealousy stemmed from her parents' admiration for Tarapada, which she perceived as a threat to her own position in their affection.

138 / 297

Category: His laughter; her shame and fury; shows complex emotional dependence

138. (A) Charushashi's act of writing a note confessing her inability to grasp English and throwing it at Tarapada reflects her deep-seated frustration and emotional turmoil.
(R) Her reaction stems from her inability to cope with Tarapada's growing independence and success in learning English, which highlights her complex emotional dependence on him.

139 / 297

Category: Strange new feelings; distracted daydreaming, coloured imagination

139. (A) Tarapada felt a strange unease and restlessness despite being treated with affection by the zamindar's family.
(R) His mind wandered into daydreams, and the world around him seemed to take on new colours, indicating his inner turmoil.

140 / 297

Category: English Lessons and Growing Bond

140. (A) Tarapada's growing interest in English lessons and his detachment from his former world indicate a significant transformation in his character.
(R) Learning English opened up a new realm of knowledge for Tarapada, making him emotionally distant from his earlier connections.

141 / 297

Category: No beatings from tutor; everyone indulges him

141. (A) Tarapada left his village despite being doted upon by everyone because he was naturally inclined towards wanderlust.
(R) The text states that half-starved boys who suffered constant beatings never left their villages, while Tarapada, the darling of everyone, did so without hesitation when he joined a Jatra-troupe.

142 / 297

Category: Gymnastics troupe (plays fast thumri on flute)

142. (A) Tarapada's participation in the gymnastics troupe was primarily driven by his desire to settle down and learn a structured art form.
(R) Tarapada had an innate wanderlust that kept him from attaching himself to any group or place for long.

143 / 297

Category: First Impressions and Meal

143. (A) Tarapada's refusal to drink milk during the meal signifies his complete detachment from worldly comforts.
(R) Tarapada had left his loving family at a young age, demonstrating his inherent disinterest in material attachments.

144 / 297

Category: “Promise Note” Episode

144. (A) Charu writes the promise note because she genuinely regrets her actions and seeks forgiveness.
(R) Tarapada bursts out laughing after reading the note, which deepens their emotional bond despite the earlier conflict.

145 / 297

Category: Interrupts Ramayana reading to sing panchali

145. (A) Tarapada interrupted the Ramayana reading session to sing a panchali about Kush and Lav.

(R) Tarapada's song was so captivating that it deeply moved everyone, including Motilal Babu and Annapurna.

146 / 297

Category: Family at Tarapada’s village pleased; date fixed for Sravan

146. (A) Tarapada's emotional stirrings and distractions indicate his resistance to the upcoming marriage.
(R) The natural imagery during the moonlit evening mirrors Tarapada's inner turmoil and growing attachment to Charu.

147 / 297

Category: Motilal hesitant (no info on family; only daughter), later agrees after inquiry

147. (A) Motilal Babu initially hesitated to consider Tarapada as a match for his daughter due to lack of information about his family background.
(R) After inquiry revealed Tarapada belonged to a high-caste but poor family, Motilal agreed to the marriage proposal.

148 / 297

Category: Family Background

148. (A) Tarapada left his loving family despite being their favorite because he felt they had enough children to take care of.
(R) Tarapada mentioned that his mother had four more sons and three daughters, implying he was not needed at home.

149 / 297

Category: Maternal Love and Possessiveness

149. (A) Annapurna's maternal love for Tarapada stems from her nurturing nature, which makes her emotionally invested in his well-being despite him being a stranger.
(R) Annapurna feels a deep sense of loss and longing when Tarapada leaves, highlighting her possessive tendencies towards him.

150 / 297

Category: Maternal Love and Possessiveness

150. (A) Charu locked Tarapada in his room due to her intense jealousy.
(R) Charu could not bear sharing her mother's affection with Tarapada.

151 / 297

Category: Festival Call and Final Departure

151. (A) Tarapada was deeply attached to the festive atmosphere of the chariot festival.
(R) He remained unbound by any kind of habit or custom, showing no emotional ties to people or places.

152 / 297

Category: Destroying the Flute

152. (A) Charu destroyed Tarapada's flute because she was angry.
(R) Tarapada found Charu's act of destroying his flute amusing rather than upsetting.

153 / 297

Category: She feels frustrated yet more affectionate

153. (A) Living on a boat with family can lead to both frustration and increased affection.
(R) The confined space of a boat intensifies emotions, making conflicts more frequent but also deepening bonds through shared experiences.

154 / 297

Category: Tarapada Boards the Boat

154. (A) Tarapada was able to establish friendly relations with everyone in the village quickly.
(R) Tarapada had no normal ties and could adapt easily.

155 / 297

Category: First Impressions and Meal

155. (A) Motilal Babu invited Tarapada to eat with his family because he found the boy beautiful and graceful.
(R) Tarapada's appearance and demeanor reminded Motilal Babu of a young sage, which made him feel tender towards the boy.

156 / 297

Category: Gymnastics troupe (plays fast thumri on flute)

156. (A) Tarapada's ability to play the flute exceptionally well during gymnastic displays was a deliberate effort to create emotional bonds with the troupe members.
(R) His repeated absconding from groups, including the gymnastics troupe, highlights his innate desire to explore and avoid emotional ties.

157 / 297

Category: Motilal feted with guard of honour; band and guns

157. (A) Tarapada quickly adapted to the village life and formed friendly relations with everyone.

(R) He had no normal ties, which allowed him to connect with people easily.

158 / 297

Category: Tarapada’s Subtle Transformation

158. (A) Tarapada undergoes a subtle transformation after meeting Charulata.

(R) His interaction with Charulata makes him reflect on his own life choices.

159 / 297

Category: Demands to study alongside him; parents give in

159. (A) Charu's insistence on learning English stemmed from her genuine academic interest.
(R) Her parents initially laughed at her request because they believed it was merely a passing whim.

160 / 297

Category: Helps sweet-maker, weaver, potter; sits at shop, keeps flies off sweets

160. (A) Tarapada could make sweets and knew something about weaving.
(R) He had learned these skills by assisting the sweet-maker, weaver, and potter in the village.

161 / 297

Category: Joins and repeatedly leaves:

161. (A) Tarapada left his village because he was drawn to the world beyond it.
(R) He had an insatiable curiosity and a restless spirit.

162 / 297

Category: In the stormy monsoon night, he returns to “unconstraining, unemotional” Mother Earth’s arms

162. (A) The festive atmosphere with boatmen, orchestra, and natural elements symbolizes the transient nature of human life.
(R) Tarapada perceives the world as a grand chariot-festival, highlighting his philosophical detachment from worldly attachments.

163 / 297

Category: Wilful, obstinate, erratic; difficult over clothes, hair, food

163. (A) Charu's jealousy towards Tarapada led her to disrupt his studies by pouring ink on his exercise-book and stealing his pen.
(R) Charu's actions were driven by her inability to tolerate Tarapada's growing popularity and her own suppressed attraction towards him.

164 / 297

Category: Boat Journey and Halt at Market

164. (A) Annapurna's attempt to win over Tarapada through hospitality failed because he was indifferent to material comforts.
(R) Tarapada's indifference stemmed from his unconventional nature and ability to adapt to any situation without forming attachments.

165 / 297

Category: At Kathaliya: Tarapada in the Village

165. (A) Tarapada's wandering nature is a reflection of his inherent desire for freedom and resistance to emotional ties.
(R) Tarapada's repeated disappearances and reluctance to form attachments suggest that societal norms and familial bonds are incompatible with his free-spirited personality.

166 / 297

Category: In a rage, Charu stamps and breaks Tarapada’s beloved flute

166. (A) Charu refuses to acknowledge Tarapada's virtues despite clear evidence.
(R) She is jealous of Tarapada's closeness to her family and his talents.

167 / 297

Category: Watches Tarapada swim like “water-god” while pretending indifference (knitting scarf)

167. (A) Charushashi watches Tarapada swim like a "water-god" with admiration, revealing her true feelings for him.
(R) Her pretense of knitting a woollen scarf is a deliberate attempt to conceal her fascination with Tarapada's swimming display.

168 / 297

Category: Refuses to praise his singing; complains it disturbs her sleep

168. (A) Charushashi refuses to praise Tarapada's singing because she is jealous of his talent.
(R) Her jealousy stems from feeling overshadowed by Tarapada's accomplishments, which makes her resentful.

169 / 297

Category: Helps helmsman, rows, turns sail; enjoys landscape and river life

169. (A) Tarapada actively participates in steering, rowing, and adjusting sails on the boat.
(R) He forms a strong bond with the helmsman and oarsmen, helping them whenever needed.

170 / 297

Category: Watches Tarapada swim like “water-god” while pretending indifference (knitting scarf)

170. (A) Charushashi is attracted to Tarapada when he swims like a "water-god" but pretends indifference by knitting a scarf.
(R) She hides her feelings because she wants others to admire Tarapada only from a distance and not get close to him.

171 / 297

Category: Rivalry with Sonamani

171. (A) Charu destroyed Tarapada's flute out of jealousy towards Sonamani.
(R) Charu was unable to tolerate the special bond between Tarapada and Sonamani.

172 / 297

Category: In the stormy monsoon night, he returns to “unconstraining, unemotional” Mother Earth’s arms

172. (A) The stormy monsoon night symbolizes nature's indifference to human activities.
(R) Despite the chaos in Kathaliya village, nature continues its course unaffected by human emotions or events.

173 / 297

Category: Charu Insists on English Too

173. (A) Charu's insistence on learning English was primarily driven by her competitive nature and jealousy towards Tarapada's progress.
(R) Charu disrupted Tarapada's studies and demanded the same books as him despite being unable to keep up with his pace.

174 / 297

Category: Jatra troupe

174. (A) Tarapada's detachment from societal norms and emotional ties is central to his characterization as a wanderer.
(R) His association with various groups like the jatra-troupe and gymnasts highlights his inability to commit to any relationship or lifestyle.

175 / 297

Category: “Promise Note” Episode

175. (A) Charu writing the promise note shows her struggle to seek forgiveness.
(R) Tarapada's forgiving nature is highlighted when he laughs instead of punishing Charu after she writes the note.

176 / 297

Category: Wins all hearts except Charu, whose hatred he cannot conquer

176. (A) Charu hated Tarapada because she was jealous of the attention he received from everyone, including her parents.
(R) Charu's jealousy made her unable to appreciate Tarapada's virtues and caused her to act aggressively towards him.

177 / 297

Category: Boat moored for cooking near a riverside market

177. (A) The boat was moored near the riverside market for cooking purposes.
(R) Riverside markets often have shallow waters suitable for mooring boats.

178 / 297

Category: Life on the Boat: Bond with Family

178. (A) Tarapada’s indifference toward conventional family bonds stems from his deep connection with nature and transient lifestyle.
(R) His seamless integration into the boat’s work and lack of concern for Annapurna’s hospitality reflect his emotional independence.

179 / 297

Category: Locking Him In

179. (A) Charu's act of locking Tarapada in the room reflects her deep-seated emotional conflict between jealousy and a desire for his attention.
(R) Tarapada’s prolonged stay in the household was primarily due to Charu’s consistent efforts to disrupt his studies, making him emotionally dependent on her.

180 / 297

Category: No longer laughs so easily at Charu’s mischief; doesn’t beat her

180. (A) Tarapada stopped beating Charu because he developed feelings for her.
(R) Tarapada’s behavior grew quieter as he realized the possibility of marrying Charu.

181 / 297

Category: Motilal hesitant (no info on family; only daughter), later agrees after inquiry

181. (A) Motilal Babu was initially hesitant about Tarapada as a groom for Charu because he lacked information about Tarapada's family.
(R) Motilal wanted to ensure his only daughter was married into a well-known and respected family.

182 / 297

Category: Motilal thinks of adopting him as son; Annapurna deeply moved

182. (A) Motilal Babu thought of adopting Tarapada as his son because he felt the boy would compensate for his lack of a male heir.
(R) Tarapada's talents and charming personality deeply impressed Motilal Babu.

183 / 297

Category: Only Child’s Temperament

183. (A) Charushashi's jealousy stems from her inability to accept Tarapada's virtues, as she perceives them as a threat to her exclusive claim on admiration.
(R) Charushashi was her parents' only child, which fostered a temperament of possessiveness and intolerance toward sharing affection or admiration with others.

184 / 297

Category: Unconventional but adaptable; at home with all

184. (A) Tarapada quickly established friendly relations with everyone in Kathaliya village.
(R) He had no normal ties, which allowed him to get to know people with amazing ease and speed.

185 / 297

Category: Thunder, wind, dark clouds; feels world as one giant festival

185. (A) Tarapada perceives the world as a grand festival due to its vibrant and dynamic nature.
(R) His love for music, movement, and freedom makes him see life as an unending celebration.

186 / 297

Category: Discovers Tarapada is close to widowed friend Sonamani (calls her Didi)

186. (A) Charu writes a note promising never to repeat her actions after ruining Tarapada’s book because she fears losing his affection.
(R) Tarapada remains silent after Charu ruins his book, which makes Charu anxious for forgiveness.

187 / 297

Category: Everyone enchanted; bank and passing boats listen

187. (A) The panchali sung by Tarapada enchanted everyone on the boat, including Motilal Babu and Annapurna.
(R) The song was about Kush and Lav, characters from the Ramayana, which resonated with the family's cultural background.

188 / 297

Category: Fourth son, father dead, many siblings; darling of mother, brothers, sisters, neighbours

188. (A) Tarapada ran away from home at the age of seven or eight because he had no reason to leave.
(R) Tarapada was loved by everyone, including his mother, siblings, and neighbors.

189 / 297

Category: Repeated Runaways

189. (A) Tarapada repeatedly ran away from places where people grew fond of him.
(R) He had an innate longing for freedom and detested attachments.

190 / 297

Category: Avoids ties “like a young fawn”; loves music “like a deer”

190. (A) Tarapada avoids ties "like a young fawn" because he fears commitment and responsibility.
(R) His love for music and constant wandering nature makes him detach from any form of permanent association.

191 / 297

Category: Life on the Boat: Bond with Family

191. (A) Living together in small spaces on a boat strengthens family relationships.
(R) Close proximity forces family members to communicate more and resolve conflicts.

192 / 297

Category: Wilful, obstinate, erratic; difficult over clothes, hair, food

192. (A) Charushashi's jealousy towards Tarapada made her act in hostile ways, such as pouring ink on his exercise-book and tearing pages from his book.
(R) Charushashi was unable to control or possess Tarapada, leading to unresolved fascination expressed through hatred.

193 / 297

Category: Unconventional but adaptable; at home with all

193. (A) Tarapada's ability to effortlessly blend into various roles in Kathaliya demonstrates his deep-rooted attachment to conventional societal norms.
(R) His lack of conventional ties allowed him to connect with people effortlessly and adapt to any situation.

194 / 297

Category: Music, fairs, boats symbolise pull of the wider world over home

194. (A) The boat symbolizes permanence and rootedness in Tarapada’s life.
(R) Boats represent movement and freedom, reflecting Tarapada’s restless spirit and inability to stay anchored.

195 / 297

Category: Charu vs Sonamani and the Broken Flute

195. (A) Charu’s act of smashing the flute was a direct result of her unresolved anger towards Sonamani.
(R) Tarapada found the destruction absurd because he understood that Charu’s emotional outburst was misdirected and unrelated to the flute itself.

196 / 297

Category: Tarapada Boards the Boat

196. (A) Annapurna felt a maternal pull toward Tarapada because of his innocent demeanor and fair, pure body.
(R) Tarapada refused milk when offered, demonstrating his detachment from material comforts.

197 / 297

Category: Family Background

197. (A) Tarapada left his home despite being loved by everyone in the family.
(R) Tarapada had a wanderer nature and was uninterested in staying in one place.

198 / 297

Category: Marriage Arrangements

198. (A) Motilal Babu imposed restrictions on Charu, including a ban on English books and outside visits to prepare her for marriage.
(R) Charu resisted these restrictions because she valued her freedom and intellectual pursuits.

199 / 297

Category: Family Background

199. (A) Tarapada left his home because he felt neglected due to having many siblings.
(R) Despite being loved by everyone in his family, Tarapada displayed an independent and carefree nature from a young age.

200 / 297

Category: Tries to feed and mother him (milk, sweets); he eats simply and by choice

200. (A) Annapurna's efforts to feed and nurture Tarapada highlight her deep maternal instincts and concern for his well-being.
(R) Tarapada's refusal to consume milk despite Annapurna's insistence reflects his self-sufficiency and indifference to societal norms of hospitality.

201 / 297

Category: Bathes, changes into clean garment, combs hair; Annapurna feels maternal attraction

201. (A) Annapurna felt a maternal attraction towards Tarapada because he was shy and did not assert his wishes.
(R) Tarapada was not a big eater and refused to eat more despite Annapurna's insistence, showing his independence.

202 / 297

Category: At Kathaliya: Tarapada in the Village

202. (A) Tarapada's inability to stay in one place shows his lack of emotional connections with people.
(R) Tarapada is drawn to the excitement of the outside world and new experiences, which makes him leave even when people show him affection.

203 / 297

Category: Hidden Fascination

203. (A) Charushashi's intense jealousy towards Tarapada indicates her hidden fascination for him.
(R) Her outward hostility and destructive actions, such as smashing his flute, were attempts to mask her deeper attraction.

204 / 297

Category: Early morning: Sonamani brings food; Tarapada is gone

204. (A) Tarapada left the village because the allure of the unconfined world was stronger than emotional ties.
(R) Sonamani brought mango-juice preserve and pickle to Tarapada's room, but he had already gone.

205 / 297

Category: Tarapada’s Past and Wanderer Nature

205. (A) Tarapada left his loving family and village at a young age to join a jatra-troupe.

(R) He was inherently restless and drawn to the unknown, making him unable to accept ties, even of love.

206 / 297

Category: Strange new feelings; distracted daydreaming, coloured imagination

206. (A) Tarapada's sudden disappearance was solely due to his inherent dislike for emotional attachments.
(R) He had never before experienced the kind of inner conflict and emotional ties that Charushashi evoked in him.

207 / 297

Category: Only One Enemy

207. (A) Tarapada won the hearts of everyone in Kathaliya village.
(R) Tarapada addressed villagers as Dada, Khura, Didi, and Masi.

208 / 297

Category: Helps helmsman, rows, turns sail; enjoys landscape and river life

208. (A) Tarapada helped in turning the sail when needed.
(R) He was deeply connected to the natural surroundings and enjoyed assisting in boat activities.

209 / 297

Category: Marriage Plan and Tarapada’s Inner Change

209. (A) Motilal Babu agreed to the marriage proposal between Charu and Tarapada after realizing that Tarapada’s presence would prevent Charu from facing hardships in an unfamiliar household.
(R) Tarapada’s inner change, characterized by his growing emotional attachment and distraction from studies, was a direct result of Motilal Babu’s decision to arrange his marriage with Charu.

210 / 297

Category: Jealousy of Attention

210. (A) Charushashi's jealousy towards Tarapada stems from her desire to be the sole recipient of his attention.
(R) Charushashi feels threatened by Tarapada's closeness to others, like Sonamani, which diminishes her sense of exclusivity in their relationship.

211 / 297

Category: Parents’ Idea of Match

211. (A) Motilal Babu's initial reluctance to consider Tarapada as a groom was primarily due to his concern about social status and family background.
(R) Tarapada's transformation from a carefree wanderer to someone experiencing emotional stirrings for Charu convinced Motilal that he would be a suitable match despite his humble origins.

212 / 297

Category: Early morning: Sonamani brings food; Tarapada is gone

212. (A) Tarapada's departure symbolizes his ultimate rejection of emotional bonds in favor of freedom.
(R) The text states that "neither love nor emotional ties could encircle him completely" on the monsoon night.

213 / 297

Category: Bathes, changes into clean garment, combs hair; Annapurna feels maternal attraction

213. (A) Annapurna felt a deep affection towards Tarapada when she saw him in clean attire.
(R) Maternal instincts are often triggered by perceived vulnerability or innocence in children.

214 / 297

Category: –16 year old Brahmin boy asks for a lift to Nandigram

214. (A) Tarapada was described as a fair-skinned boy with a beautiful appearance and graceful smile.
(R) His body was free of any excess, as if lovingly carved by a sculptor or like a young sage in a previous life.

215 / 297

Category: Boat moored for cooking near a riverside market

215. (A) The boat was moored near the riverside market for cooking purposes.
(R) Riversides provided easy access to water and trade goods.

216 / 297

Category: Unconventional but adaptable; at home with all

216. (A) Tarapada could easily adapt to different roles and situations in the village.
(R) He had no normal ties, which allowed him to form relationships quickly.

217 / 297

Category: Motilal feted with guard of honour; band and guns

217. (A) Tarapada quickly established friendly relations with the villagers of Kathaliya.
(R) He had no normal ties, which allowed him to get to know people with amazing ease and speed.

218 / 297

Category: Strange new feelings; distracted daydreaming, coloured imagination

218. (A) Tarapada experienced a subtle shift in his emotions, leading to distracted daydreaming and colored imagination as he interacted with the zamindar's family.
(R) The zamindar and Annapurna's affectionate treatment and Charu's fiery jealousy made Tarapada feel a fleeting desire to belong for the first time.

219 / 297

Category: Demands to study alongside him; parents give in

219. (A) Charu's parents allowed her to study English alongside Tarapada because she cried and insisted on it.
(R) Charu felt like a thief when she appeared during Tarapada's lessons.

220 / 297

Category: Moves through rough company yet remains pure, uncorrupted

220. (A) Tarapada remained pure and uncorrupted despite moving through rough company.
(R) His innate detachment and unrestrained spirit shielded him from the corrupting influences around him.

221 / 297

Category: Later begs forgiveness, sobbing; he relents and eats

221. (A) Charu locked Tarapada in the room to ensure he attends his English lessons.
(R) Tarapada was reluctant to attend the lessons and preferred visiting Bamunthakrun’s house instead.

222 / 297

Category: Jatra troupe

222. (A) Tarapada left the jatra-troupe despite being treated like family.
(R) His love for freedom and music overpowered his emotional attachments.

223 / 297

Category: Fierce new hostility towards Tarapada; disrupts meals and behaviour

223. (A) Charushashi's hostility towards Tarapada is solely due to his lack of talents and accomplishments.
(R) Charu's jealousy intensifies because others admire Tarapada's virtues, which she refuses to acknowledge.

224 / 297

Category: Village Arrival and Welcome

224. (A) The zamindar's servants welcomed Tarapada with great enthusiasm.
(R) Tarapada had no normal ties, which helped him establish friendly relations quickly.

225 / 297

Category: He is astonished but laughs at the absurd destruction

225. (A) Tarapada laughs at the destruction of his flute because he finds Charu's behavior absurd and intriguing.
(R) The absurdity of destroying an innocent object highlights Charu's emotional instability, which fascinates Tarapada.

226 / 297

Category: Tarapada’s English Study

226. (A) Tarapada's dedication to learning English remains unwavering despite Charu's disruptive behavior.
(R) Charu's jealousy and restless nature lead her to sabotage Tarapada's studies but fail to deter his focus.

227 / 297

Category: Themes and Exam Focus

227. (A) Assertion: The themes in the exam focus heavily on analytical thinking.

(R) Reason: Because analytical thinking enhances problem-solving skills.

228 / 297

Category: Tarapada’s English Study

228. (A) Tarapada showed great concentration in learning English.
(R) He wanted to understand the illustrated books in Motilal Babu’s library.

229 / 297

Category: Early morning: Sonamani brings food; Tarapada is gone

229. (A) The untouched food brought by Sonamani symbolizes unfulfilled love.
(R) Tarapada's disappearance highlights his resistance to emotional bonds and preference for freedom.

230 / 297

Category: Annapurna’s mothering vs Charu’s jealous love

230. (A) Annapurna's unconditional nurturing contrasts with Charu's possessive attachment because

(R) Maternal love prioritizes selflessness, while romantic jealousy stems from emotional insecurity.

231 / 297

Category: Repeated Runaways

231. (A) Tarapada repeatedly ran away from places where people grew fond of him because he was bound by habits and customs.
(R) Tarapada’s repeated runaways were driven by his innate desire for freedom and exploration.

232 / 297

Category: Linked intimately to sky, fields, villages, boats

232. (A) Tarapada's ability to adapt seamlessly to boat life shows his deep connection with nature.
(R) He actively participates in sailing, cooking, and other tasks on the boat while remaining detached yet engaged with his surroundings.

233 / 297

Category: Learns he plays flute, picked fruit, made her a flute → burns with possessive anger

233. (A) Charu smashes Tarapada's flute because she is overwhelmed by her uncontrollable jealousy and possessiveness towards him.
(R) Tarapada's affectionate behavior towards Sonamani, such as making her a flute and picking fruits for her, triggers Charu's intense anger.

234 / 297

Category: Description: fair, beautiful, sacred thread, stained dhoti, graceful and self-possessed

234. (A) Tarapada was described as fair and graceful when he first met Motilal.
(R) His appearance emphasized purity and confidence, which attracted admiration.

235 / 297

Category: Tarapada as eternal “atithi” (guest): cannot be owned or tied

235. (A) Tarapada avoided forming emotional ties with people.
(R) He was inherently a wanderer and sought freedom from all attachments.

236 / 297

Category: Only One Enemy

236. (A) Tarapada initially tolerates Charu’s hostile actions with amusement.
(R) Tarapada finds Charu’s fierce nature intriguing and adapts to it without holding grudges.

237 / 297

Category: Drawn away by jatra songs, sannyasis, gypsies, boats

237. (A) Tarapada was drawn away from home by the songs of the jatra.
(R) The melodies and rhythms of the jatra songs stirred his heart with a longing to explore the outside world.

238 / 297

Category: Tries to feed and mother him (milk, sweets); he eats simply and by choice

238. (A) Annapurna tried to feed Tarapada milk and sweets because she wanted to mother him.

(R) Tarapada refused the milk, showing his independence in eating habits.

239 / 297

Category: Village Arrival and Welcome

239. (A) Tarapada's effortless integration into Kathaliya village demonstrates his natural ability to connect with people regardless of social norms or hierarchies.
(R) The villagers found Tarapada’s unconventional yet spontaneous acceptance remarkable because it contrasted with their rigid traditions.

240 / 297

Category: Helps sweet-maker, weaver, potter; sits at shop, keeps flies off sweets

240. (A) Tarapada’s ability to seamlessly blend into various roles—helping the sweet-maker, weaver, and potter—demonstrates his deep-rooted familiarity with the village’s daily activities.

(R) His Brahmin identity allowed him to gain trust effortlessly, enabling him to participate in diverse tasks without resistance from the villagers.

241 / 297

Category: Learns he plays flute, picked fruit, made her a flute → burns with possessive anger

241. (A) Charu smashed Tarapada's flute because she was jealous of his bond with Sonamani.
(R) Charu believed Tarapada should only be admired from a distance and not form close bonds with others.

242 / 297

Category: Sees boats with merry-go-rounds, jatra, orchestra, drums, songs

242. (A) The festival's music and movement symbolize the restless spirit that drives Tarapada to wander, always seeking the next adventure.
(R) The final departure scene shows boats with merry-go-rounds, jatra, orchestra, drums, and songs, encapsulating the transient nature of Tarapada's life.

243 / 297

Category: Charushashi’s Jealousy and Attraction

243. (A) Charushashi's destructive actions toward Tarapada, such as pouring ink on his exercise-book and tearing pages from his book, stem solely from hatred.
(R) Her jealousy intensifies when Tarapada gains admiration from others, revealing her underlying attraction to him.

244 / 297

Category: Resents parents’ admiration for Tarapada’s talent

244. (A) Charushashi resents Tarapada because she feels that his talents have diverted her parents' admiration away from her.
(R) Her jealousy manifests in petty acts like pouring ink on his exercise-book and disrupting his studies.

245 / 297

Category: Later begs forgiveness, sobbing; he relents and eats

245. (A) Charu locks Tarapada in the room because she wants to prevent him from going to Bamunthakrun’s house.
(R) Charu is jealous of Tarapada spending time with Bamunthakrun.

246 / 297

Category: No beatings from tutor; everyone indulges him

246. (A) Tarapada left his home at a young age despite being loved by everyone in his household.
(R) Tarapada had four brothers and three sisters, which might have contributed to his wanderer nature.

247 / 297

Category: Panchali singers

247. (A) Tarapada's mastery of panchali singing was solely due to his natural talent, not influenced by his wanderlust.
(R) His ability to join various troupes and quickly master their arts stemmed from his restless nature and love for exploring new experiences.

248 / 297

Category: Description: fair, beautiful, sacred thread, stained dhoti, graceful and self-possessed

248. (A) Insert Assertion here
(R) Insert Reason here

249 / 297

Category: Parents’ Idea of Match

249. (A) Motilal Babu initially rejects Tarapada as a prospective groom for Charu because he lacks information about his family background.
(R) Motilal Babu values social status and family reputation more than personal compatibility when choosing a groom for his daughter.

250 / 297

Category: Tarapada Vanishes

250. (A) In many literary works, festivals symbolize the climax of social tensions.
(R) Festivals often bring characters together, highlighting conflicts that culminate during celebrations.

251 / 297

Category: On Deck and River Scenes

251. (A) Tarapada felt a deeper connection with the river and the open sky than with human bonds.
(R) His indifference to Annapurna's hospitality and refusal of milk show his detachment from human ties.

252 / 297

Category: “Promise Note” Episode

252. (A) Charu's written promise note signifies her genuine remorse and desire to reconcile with Tarapada.
(R) The act of writing the note reflects Charu's inability to verbally express her feelings.

253 / 297

Category: Repeated Runaways

253. (A) Tarapada’s repeated runaways from various groups indicate his inherent inability to form lasting bonds with anyone.
(R) Tarapada remained unbound by any kind of habit or custom, and the foul language or dreadful sights he encountered did not corrupt his nature.

254 / 297

Category: Festival Call and Final Departure

254. (A) The village of Kathaliya remained oblivious to the storm because its doors were shut and lamps extinguished.
(R) The villagers were unaware of Tarapada's disappearance until the next morning.

255 / 297

Category: Motilal thinks of adopting him as son; Annapurna deeply moved

255. (A) Annapurna's deep emotional reaction to Tarapada stems from her maternal instincts and the void of not having a son.
(R) Tarapada's musical talent and charming personality reminded Annapurna of her own lost childhood aspirations.

256 / 297

Category: Charu vs Sonamani and the Broken Flute

256. (A) Charu broke Tarapada's flute because she was angry after her rift with Sonamani.
(R) Charu's emotional outburst included stamping on the already smashed flute and bursting into loud sobs.

257 / 297

Category: Parents’ Idea of Match

257. (A) Motilal Babu initially rejected the idea of marrying Charu to Tarapada because he did not know about Tarapada's family background.
(R) Motilal Babu wanted his only daughter to be married into a well-known and respectable family.

258 / 297

Category: Panchali singers

258. (A) Tarapada left the group of panchali-singers because he was inherently restless and wary of ties.
(R) Tarapada's love for music drove him to learn from various groups but his wandering nature prevented him from staying with any single group for long.

259 / 297

Category: Motilal keeps wedding secret from Tarapada; orders band and supplies

259. (A) Motilal Babu intentionally kept Tarapada unaware of the wedding arrangements to avoid any resistance from him.
(R) Tarapada was deeply moved by the vibrant festival atmosphere, which made him indifferent towards worldly attachments.

260 / 297

Category: Motilal hesitant (no info on family; only daughter), later agrees after inquiry

260. (A) Motilal Babu hesitates to consider Tarapada as a groom for Charu because he lacks information about his family background.
(R) Motilal later agrees to the marriage proposal after confirming Tarapada comes from a poor but high-caste family.

261 / 297

Category: –16 year old Brahmin boy asks for a lift to Nandigram

261. (A) Tarapada's appearance and skills suggest he comes from a well-bred Brahmin family.
(R) Tarapada cooks fish and vegetables with practiced skill, wears clean clothes, and adjusts his sacred thread properly.

262 / 297

Category: Versatile Participation

262. (A) Tarapada's ability to connect with villagers and participate in diverse activities was indicative of his deep attachment to materialistic pleasures.
(R) Despite his active involvement in village life, Tarapada remained unaffected by the corrupting influences around him due to his inherent innocence.

263 / 297

Category: Boat Journey and Halt at Market

263. (A) Motilal's family met Tarapada during their boat journey.
(R) The boat halted at a market where Tarapada was present.

264 / 297

Category: Wedding Preparations Arrive

264. (A) The wedding preparations in Kathaliya village included a trumpet-and-drum band, which was arranged by Motilal Babu.
(R) The presence of the trumpet-and-drum band indicates that the wedding ceremony was meant to be a grand event.

265 / 297

Category: Helps helmsman, rows, turns sail; enjoys landscape and river life

265. (A) Tarapada's active participation in sailing the boat reflects his deep connection with nature and adaptability to the river life.
(R) He took the tiller when the helmsman needed a smoke and skillfully helped turn the sail, demonstrating his seamless integration into the boat's activities.

266 / 297

Category: Tarapada’s English Study

266. (A) Tarapada preferred eating outside the women's quarters to focus more on his English studies.
(R) Annapurna was hurt by Tarapada's decision but Motilal Babu supported it due to Tarapada's dedication to learning.

267 / 297

Category: Motilal keeps wedding secret from Tarapada; orders band and supplies

267. (A) Motilal Babu kept the wedding arrangements secret from Tarapada.
(R) He wanted to surprise Tarapada with the grand wedding preparations.

268 / 297

Category: Marriage Plan and Tarapada’s Inner Change

268. (A) Motilal Babu initially rejected the idea of marrying Charu to Tarapada because he did not know about Tarapada’s family background.
(R) Motilal Babu wanted to marry his daughter into a well-known and respectable family.

269 / 297

Category: Fascinated by English picture-books; Motilal engages Ramratan Babu as tutor

269. (A) Tarapada was dedicated to learning English and spent time reciting his lessons by the riverside.

(R) Charu disrupted Tarapada’s learning because she lacked genuine interest in studying English.

270 / 297

Category: On Deck and River Scenes

270. (A) Tarapada's ability to adapt to any situation or work on the boat shows his deep connection with nature and people.
(R) His unconventional yet adaptable nature stems from his inherent desire to explore the outside world without being tied down by relationships.

271 / 297

Category: Learns he plays flute, picked fruit, made her a flute → burns with possessive anger

271. (A) Charu’s act of destroying Tarapada’s flute symbolizes her refusal to share his attention with anyone else.
(R) Tarapada made a bamboo flute for Sonamani, which intensified Charu’s jealousy and possessiveness.

272 / 297

Category: At Kathaliya: Tarapada in the Village

272. (A) Tarapada quickly established friendly relations with the villagers of Kathaliya by calling them familial names like Dada, Khura, Didi, and Masi.
(R) Tarapada had no normal ties, which allowed him to form connections with people easily and rapidly.

273 / 297

Category: Annapurna’s Hospitality

273. (A) Tarapada's indifferent attitude towards Annapurna's hospitality shows his independent nature
(R) Tarapada had run away from home at the age of seven or eight and was accustomed to living without regular meals

274 / 297

Category: Three large boats from Calcutta arrive with wedding goods

274. (A) The three large boats from Calcutta arrived laden with wedding goods at the zamindar's ghat on the same morning Tarapada's mother and brothers arrived.
(R) The wedding preparations were in full swing, which is why the boats arrived with goods on that particular day.

275 / 297

Category: Motilal keeps wedding secret from Tarapada; orders band and supplies

275. (A) Tarapada's sudden disappearance on the morning of the wedding preparations indicates his rejection of societal constraints and emotional bonds.
(R) The overwhelming sensory experiences during the moonlit night at the ghat triggered a profound inner transformation in Tarapada, making him yearn for freedom.

276 / 297

Category: Tarapada as eternal “atithi” (guest): cannot be owned or tied

276. (A) Tarapada could not be tied down by love or familial bonds because his inherent nature was that of an eternal wanderer.
(R) Tarapada's heart would stir with longing to explore the outside world whenever he encountered unfamiliar sights or people, making him reject all forms of ties.

277 / 297

Category: Boat moored for cooking near a riverside market

277. (A) Motilal Babu was intrigued by Tarapada's independent demeanor and invited him aboard the boat.
(R) Tarapada accepted the invitation without hesitation, showing no signs of shyness.

278 / 297

Category: Tarapada Vanishes

278. (A) Tarapada's detachment from material and emotional ties can be attributed to his transient lifestyle and inherent freedom-seeking nature.
(R) The text explicitly states that Tarapada remained unbound by any kind of habit or custom and was deeply detached despite his connections with various groups.

279 / 297

Category: Cannot memorise; sabotages his study (pouring ink, stealing pen, tearing pages)

279. (A) Charu destroys Tarapada's flute out of jealousy because she cannot match his learning ability.
(R) Tarapada finds Charu's destructive behavior amusing, which further intrigues him about her actions.

280 / 297

Category: Fascinated by English picture-books; Motilal engages Ramratan Babu as tutor

280. (A) Tarapada showed exceptional dedication to learning English, often practicing by reciting his lessons while walking along the riverside at dusk.
(R) His fascination with English picture-books sparked a deep desire to master the language, as they presented a new, inaccessible world he yearned to explore.

281 / 297

Category: His laughter; her shame and fury; shows complex emotional dependence

281. (A) Charushashi's fury towards Tarapada stems from her complex emotional dependence on him.
(R) Tarapada's laughter in response to her actions exposes Charushashi's vulnerability, intensifying her shame and fury.

282 / 297

Category: Interrupts Ramayana reading to sing panchali

282. (A) Tarapada's interruption of the Ramayana reading to sing a panchali about Kush and Lav demonstrates his deep emotional connection to the story.
(R) The panchali sung by Tarapada evoked such strong emotions in Annapurna and Motilal Babu that they momentarily forgot their personal sorrows.

283 / 297

Category: Versatile Participation

283. (A) Tarapada's ability to adapt and engage with the villagers made him a beloved figure in Kathaliya.
(R) He maintained his innocence and purity despite being exposed to the crude aspects of village life.

284 / 297

Category: Wilful, obstinate, erratic; difficult over clothes, hair, food

284. (A) Charushashi's jealousy towards Tarapada stems from her deep-seated need for exclusive attention and validation.
(R) Her erratic behavior—such as destroying his belongings and then begging for forgiveness—demonstrates a conflict between her possessiveness and guilt over her actions.

285 / 297

Category: Refuses to praise his singing; complains it disturbs her sleep

285. (A) Charushashi refused to praise Tarapada’s singing because she genuinely disliked his voice.
(R) Charushashi was jealous of the attention Tarapada received from her parents, which made her falsely claim his singing disturbed her sleep.

286 / 297

Category: Tarapada slips off and quickly befriends villagers (“Dada, Khura, Didi, Masi”)

286. (A) Tarapada's ability to quickly befriend villagers stems from his lack of conventional social ties.
(R) Tarapada effortlessly adapts to different social roles, such as being a herder yet also a Brahmin, which allows him to connect with everyone equally.

287 / 297

Category: Gymnastics troupe (plays fast thumri on flute)

287. (A) Tarapada joined the gymnastics troupe because he was fascinated by their skills.
(R) His natural curiosity led him to learn new things and explore different experiences.

288 / 297

Category: English Lessons and Growing Bond

288. (A) Charu's disruptive behavior during English lessons shows her inability to accept Tarapada’s progress and independence.
(R) Charu is jealous because she wants to be the sole focus of attention from her parents and is threatened by Tarapada’s growing bond with them.

289 / 297

Category: Tarapada Vanishes

289. (A) Tarapada disappeared during the festival season because he was irresistibly drawn to the call of the open world.
(R) The village mourned his departure briefly before moving on, as they understood his restless nature.

290 / 297

Category: Charu locks Tarapada in his room to prevent visits to Sonamani

290. (A) Charu locked Tarapada in his room to stop him from visiting Sonamani.
(R) Charu believed that Tarapada's visits to Sonamani were harmful.

291 / 297

Category: She feels frustrated yet more affectionate

291. (A) Spending time together in confined spaces like a boat can lead to frustration among family members.
(R) Emotional bonds often deepen when individuals share challenging experiences.

292 / 297

Category: Fascinated by English picture-books; Motilal engages Ramratan Babu as tutor

292. (A) Tarapada chose to eat outside the women’s quarters to devote more time to learning English.
(R) His keenness to learn English stemmed from his fascination with the illustrated books in Motilal Babu’s library.

293 / 297

Category: Tarapada’s Past and Wanderer Nature

293. (A) Tarapada left his family and village multiple times because he felt suffocated by their love and attention.
(R) Tarapada was inherently restless and drawn to the unknown, fearing emotional bonds that could tie him down.

294 / 297

Category: Thunder, wind, dark clouds; feels world as one giant festival

294. (A) The world appearing as a giant festival to Tarapada symbolizes his innate desire for boundless freedom.
(R) Tarapada repeatedly escapes emotional ties because he perceives them as constraints against his wanderlust, much like how the chaotic yet free elements of nature (thunder, wind, clouds) dominate the festival-like atmosphere.

295 / 297

Category: Tarapada expertly cuts fish, cooks vegetables

295. (A) Tarapada was indifferent to Annapurna's hospitality because he disliked milk.
(R) Tarapada refused to drink milk when offered by Motilal and his wife.

296 / 297

Category: He is astonished but laughs at the absurd destruction

296. (A) Tarapada laughs when Charu destroys his flute because he finds the absurdity of her actions amusing.
(R) Tarapada remains detached and does not feel anger towards Charu's irrational behavior.

297 / 297

Category: English Lessons and Growing Bond

297. (A) Tarapada showed great concentration while learning English.
(R) He was eager to understand the illustrated books in Motilal Babu's library.

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